Criticism
- This novel has many parallels with John Gardner's novel Nobody Lives for Ever. In both stories, the returning protagonist (Schofield in Scarecrow, James Bond in NLF) is the target of a monetary contract posted by a villainous organisation (Majestic-12 in Scarecrow, SPECTRE in NLF) that requires delivery of the target's severed head, and both stories include the protagonist's loved ones (Gant in Scarecrow, May and Moneypenny in NLF) being used as leverage against the protagonist. A guillotine is also promptly used to kill the protagonist in an execution style chamber in both Scarecrow and NLF.
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Read more about this topic: Scarecrow (novel)
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“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”
—Rebecca West (1892–1983)
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—Mary Pickford (1893–1979)
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)