Criticism
- This novel has many parallels with John Gardner's novel Nobody Lives for Ever. In both stories, the returning protagonist (Schofield in Scarecrow, James Bond in NLF) is the target of a monetary contract posted by a villainous organisation (Majestic-12 in Scarecrow, SPECTRE in NLF) that requires delivery of the target's severed head, and both stories include the protagonist's loved ones (Gant in Scarecrow, May and Moneypenny in NLF) being used as leverage against the protagonist. A guillotine is also promptly used to kill the protagonist in an execution style chamber in both Scarecrow and NLF.
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Read more about this topic: Scarecrow (novel)
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“It is from the womb of art that criticism was born.”
—Charles Baudelaire (1821–1867)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance. He becomes a source of blessings rather than wages. Criticism is sacrilege, doubt is heresy.”
—Ben Hecht (1893–1964)