Savoy Style Lindy Hop and African American Identity
Perhaps the most useful employment of the term 'Savoy-style Lindy Hop' lies in the association of the Savoy Ballroom (and dancers who were associated with it, particularly those of the Whitey's Lindy Hoppers) and ethnicity. Despite the differences noted above, there are marked tropes in African American and African dances which are present in the Lindy Hop of these dancers in this period. These may include:
- clear angles at the ankle - between leg and foot - and often at the wrist and/or elbow
- wide-legged stances for both women and men, particularly in the follower's swivel
- Frankie Manning's characteristically 'athletic' stance - like a runner spread out in motion, parallel to the ground - echoes African dance
- particular 'variations' or jazz steps associated with Savoy-style date back to the African communities from which African American slaves were taken (and are discussed in the History of slavery in the United States article), including the move "the itch" which then moved on to white communities and across to the west coast of America with dancers like Dean Collins.
These associations between African American Lindy Hoppers and a particular dance style are important as Lindy Hop developed in a close relationship with jazz, in particular swing. Both are African American vernacular art forms.
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