Sandy Cheeks - Character - Personality

Personality

Sandy is an intelligent, scientific, bipedal anthropomorphic squirrel who resides in Bikini Bottom and is featured as a close friend of SpongeBob SquarePants. She is from Texas and it is for this reason that she is seen speaking in a Southern accent, and is proud of her home state which is frequently brought up throughout the course of the series. She has been shown to possess a number of tough, tomboyish character traits and interests; she is skilled at karate and frequently enjoys practicing it with SpongeBob, she is shown to be an excellent bodybuilder, is a rodeo champion, and possesses extraordinary scientific skills and can construct complex inventions. She must wear a spacesuit when underwater with a helmet in order to breathe, and vice versa when SpongeBob, Patrick, or any other sea creatures visit her tree-dome. Albeit Sandy is normally portrayed as kind, helpful, and understanding, she has been shown to possess a vindictive side too. She once threatened to lasso SpongeBob and Patrick for poking fun at Texas in one episode, and in another she attacked Patrick and stuffed him into her trombone for inadvertently kicking her during band class.

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Famous quotes containing the word personality:

    Her personality had an architectonic quality; I think of her when I see some of the great London railway termini, especially St. Pancras, with its soot and turrets, and she overshadowed her own daughters, whom she did not understand—my mother, who liked things to be nice; my dotty aunt. But my mother had not the strength to put even some physical distance between them, let alone keep the old monster at emotional arm’s length.
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    I am what is mine. Personality is the original personal property.
    Norman O. Brown (b. 1913)

    A personality is an indefinite quantum of traits which is subject to constant flux, change, and growth from the birth of the individual in the world to his death. A character, on the other hand, is a fixed and definite quantum of traits which, though it may be interpreted with slight differences from age to age and actor to actor, is nevertheless in its essentials forever fixed.
    Hubert C. Heffner (1901–1985)