Influence On Western Cinema
A number of western movies have re-told the samurai movie in a Western context. Italian director Sergio Leone's A Fistful of Dollars and Walter Hill's Last Man Standing are both remakes of Yojimbo. Clint Eastwood's "man with no name character" was modeled to some degree on Mifune's wandering ronin character that appeared in so many of his films. The Hidden Fortress influenced George Lucas when he made Star Wars. Seven Samurai has been remade as a Western and a science fiction context film, The Magnificent Seven and Battle Beyond the Stars. Other samurai influenced western movies include Charles Bronson and ToshirÅ Mifune in Red Sun (1971), David Mamet's Ronin (with Jean Reno and Robert De Niro), Six-String Samurai (1998) and Ghost Dog: The Way of the Samurai (1999). The Zatoichi character was re-made as Blind Fury in the United States, starring Rutger Hauer as a blind swordsman living in the modern US. Most recently, The Last Samurai, the story being loosely based on the true historical French officer Jules Brunet assisting Japanese samurai in rebellion against the Emperor.
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“The improvements of ages have had but little influence on the essential laws of man’s existence: as our skeletons, probably, are not to be distinguished from those of our ancestors.”
—Henry David Thoreau (1817–1862)
“We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it; and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty.”
—Henry David Thoreau (1817–1862)
“An accent mark, perhaps, instead of a whole western accent—a point of punctuation rather than a uniform twang. That is how it should be worn: as a quiet point of character reference, an apt phrase of sartorial allusion—macho, sotto voce.”
—Phil Patton (b. 1953)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)