Influences On Secular Brass Bands
The Salvation Army kept itself apart from the secular brass band world. They did not enter contests or play music other than their own - which had been specifically written or arranged for them. Secular tunes were used, but arranged to reflect the spiritual work they supported. Many of the bands developed into highly competent ensembles equal to or exceeding the proficiency of their secular counterparts - being respected and even envied by those that heard them.
Around the same time that the Salvation Army bands were forming the temperance movement was also using brass bands to promote its message. These, however, were integrated with the other amateur brass bands - and the vestiges of their influence can still be seen in the names of some of the bands today.
Happily the Salvationist movement in recent years has opened up its doors to its colleagues in the secular brass band world. A rich resource of music has been made available for other bands to play and new relationships between the Salvation Army band movement and their counterparts in ordinary life are being made.
Read more about this topic: Salvation Army Brass Band
Famous quotes containing the words influences, secular, brass and/or bands:
“Leadership does not always wear the harness of compromise. Once and again one of those great influences which we call a Cause arises in the midst of a nation. Men of strenuous minds and high ideals come forward.... The attacks they sustain are more cruel than the collision of arms.... Friends desert and despise them.... They stand alone and oftentimes are made bitter by their isolation.... They are doing nothing less than defy public opinion, and shall they convert it by blows. Yes.”
—Woodrow Wilson (1856–1924)
“... the generation of the 20’s was truly secular in that it still knew its theology and its varieties of religious experience. We are post-secular, inventing new faiths, without any sense of organizing truths. The truths we accept are so multiple that honesty becomes little more than a strategy by which you manage your tendencies toward duplicity.”
—Ann Douglas (b. 1942)
“You could almost see the brass on her gleaming,
Not quite. The mist was to light what red
Is to fire. And her mainmast tapered to nothing,
Without teetering a millimeter’s measure.
The beads on her rails seemed to grasp at transparence.”
—Wallace Stevens (1879–1955)
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)