Characters in Mainstream Novels
Barnabas Sackett- The founding member of the Sackett clan. Travels to the New World to escape the warrant of the Queen. Killed by Seneca Indians. Son of Ivo Sackett, soldier and war hero.
Kin-Ring Sackett- First son of Barnabas Sackett, born on a buffalo robe in the heat of battle. First Sackett born in the New World. Married Diana Macklin from Cape Ann.
Brian Sackett- Fourth son of Barnabas Sackett. Leaves America with his mother and sister to study law in England
Yance Sackett- Second son of Barnabas Sackett. Best known for his quick temper and strength and willingness of action. Founder of Clinch Mountain Branch of Sacketts. Married a girl named Temperance Penney from Cape Ann.
Jublain Sackett (Jubal)- Third son of Barnabas Sackett. He was the first Sackett to cross the mountains and see the plains. Known as the quiet one, he is a ghost in the woods. Spends much time away from home and eventually quits the hills of North Carolina for the Rocky Mountains. Marries Itchakomi Ishaia, a "Sun" of the Natchee.
Echo Sackett- Only female member of the Sackett clan to narrate a story. Aunt of Tell, Orrin and Tyrel.
Logan Sackett- Twin brother of Nolan Sackett. Comes from the Clinch Mountain branch of Sacketts and lives up to their reputation. Rough, two-fisted, a man "with the bark on", and with a deserved reputation as being fast with a gun and hell-on wheels in any kind of fight, he has ridden the Owlhoot Trail and admits to skirting the dark side of the law on more than one occasion. A lot rougher than Orrin or Tyrel, he is nonetheless a generally decent man. Comes to the aid of his aunt, Emily Talon.
Nolan Sackett- Twin Brother of Logan Sackett. Comes from the Clinch Mountain Branch of Sacketts. Like his brother, he has ridden the outlaw trail. Rough and dangerous, with a hefty reputation as a very bad man to fool around with, he has a strong sense of right and wrong. Wears three pistols, two tied down and one in his coat.
Orlando Sackett (Lando)- Son of Falcon Sackett. One of the last Sacketts to move west. Spends six years in a Mexican prison. Becomes a well-known fist-fighter and boxer.
Falcon Sackett- Father of Orlando Sackett. Formerly captain of a ship. Finds a lost treasure of great value and spends several years in a Mexican prison before finally escaping and being rescued by his son.
Flagan Sackett- Brother of Galloway Sackett. One of the younger Sacketts. Has a strong will to survive. Rarely found far from his brother.
Galloway Sackett- Brother of Flagan Sackett. Tall and handsome, nearly fearless in the face of danger. Known to brave danger and live.
Parmalee Sackett- A "flatland Sackett", Parmalee's family moved down to the richer flatlands while the majority of the clan stayed in the mountains. His affluent lifestyle has not made him weak, as men who have braced him could testify - if they were still above ground.
Read more about this topic: Sackett
Famous quotes containing the words characters in, characters, mainstream and/or novels:
“What makes literature interesting is that it does not survive its translation. The characters in a novel are made out of the sentences. That’s what their substance is.”
—Jonathan Miller (b. 1936)
“To marry a man out of pity is folly; and, if you think you are going to influence the kind of fellow who has “never had a chance, poor devil,” you are profoundly mistaken. One can only influence the strong characters in life, not the weak; and it is the height of vanity to suppose that you can make an honest man of anyone.”
—Margot Asquith (1864–1945)
“We in the South were ready for reconciliation, to be accepted as equals, to rejoin the mainstream of American political life. This yearning for what might be called political redemption was a significant factor in my successful campaign.”
—Jimmy Carter (James Earl Carter, Jr.)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)