Runic Calendar - Marks

Marks

On one line, 52 weeks of 7 days were laid out using 52 repetitions of the first seven runes of the Younger Futhark. The runes corresponding to each weekday varied from year to year.

On another, many of the days were marked with one of 19 symbols representing the 19 Golden numbers, the years of the Metonic cycle. In early calendars, each of the 19 years in the cycle was represented by a rune; the first 16 were the 16 runes of the Younger Futhark, plus special runes for the remaining three years: Arlaug (Golden Number 17), Tvimadur (Golden Number 18), and Belgthor (Golden Number 19). The new moon would fall on that day during that year of the cycle. For example, in the 18th year of the cycle, the new moons would fall on all the dates marked with Tvimadur, the symbol for year 18. Later calendars used Pentadic numerals for the values 1–19.

A version using Latin alphabet for weekdays and Arabic numerals for the golden numbers was printed in 1498 as part of the Breviarium Scarense.

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Famous quotes containing the word marks:

    In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
    Arthur Miller (b. 1915)

    Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.
    Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)

    ... my aim is now, as it has been for the past ten years, to make myself a true woman, one worthy of the name, and one who will unshrinkingly follow the path which God marks out, one whose aim is to do all of the good she can in the world and not be one of the delicate little dolls or the silly fools who make up the bulk of American women, slaves to society and fashion.
    Ellen Henrietta Swallow Richards (1842–1911)