Music
In addition to his tenor singing voice, he plays piano and guitar, often switching between the two instruments when performing live. While some songs feature just Wainwright and his piano, his later work is often accompanied by rock instrumentation or a symphony orchestra, displaying complex layering and harmonies with an operatic feel. Wainwright is an opera fan and likes Franz Schubert's Lieder. Some of Wainwright's songs are described as "popera" (pop opera) or "baroque pop". Many of his compositions are densely packed amalgams of strings, horns, operatic choruses, ragtime rhythms, with a warm vocal timbre.
He often performs with his sister, Martha Wainwright, on backup vocals. Despite critical acclaim, Wainwright has experienced limited commercial success in the United States, although the release of Release the Stars saw increased media attention there, as did the associated 2007 U.S. tour.
Read more about this topic: Rufus Wainwright
Famous quotes containing the word music:
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)
“We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.”
—Henry David Thoreau (1817–1862)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)