Roxy Music (album) - Production and Cover Art

Production and Cover Art

The band had been rehearsing and re-working the songs for a couple of months before they finally found a recording place, after which the entire album was recorded in the space of a single week. This was necessary because there was no record deal as yet, and their managers at EG were financing the sessions themselves. The album was produced by King Crimson's lyricist Peter Sinfield, who had recently left that band. In May 1972, a few weeks after the recording sessions, a contract was signed with Island Records and in June the album was released.

The band's penchant for glamour was showcased both in the lyrics and in the 1950s-style album cover. The photographer Karl Stoecker shot the cover, featuring model Kari-Ann Muller, who later married Chris Jagger, brother of Mick Jagger. The album was dedicated to Susie, a drummer who auditioned for Roxy Music in the early days.

Read more about this topic:  Roxy Music (album)

Famous quotes containing the words production and, production, cover and/or art:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    ... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.
    Jane Addams (1860–1935)

    Again we have here two distinctions that are no distinctions, but made to seem so by terms invented by I know not whom to cover ignorance, and blind the understanding of the reader: for it cannot be conceived that there is any liberty greater, than for a man to do what he will.
    Thomas Hobbes (1579–1688)

    ...that absolutely everything beloved and cherished of the bourgeoisie, the conservative, the cowardly, and the impotent—the State, family life, secular art and science—was consciously or unconsciously hostile to the religious idea, to the Church, whose innate tendency and permanent aim was the dissolution of all existing worldly orders, and the reconstitution of society after the model of the ideal, the communistic City of God.
    Thomas Mann (1875–1955)