Plot
The movie, based on a book by Jorge Franco, deals with the life of a beautiful woman involved with the subculture of sicarios, the motorcycle-riding hitmen of the slums of Medellín, Colombia, in the late 1980s-early 1990s. Rosario, a dangerous woman who was molested and raped as a child, and now claiming to be owned by no man, lives a life on the edge while trying to come to terms with her past and the men in her life, not making the best choices along the way.
The film is told in flashback from the point of view of Antonio, a young man from the upper class of Medellín. While at a Medellín disco one night, both he and his best friend, Emilio, simultaneously lay eyes upon the beautiful Rosario. Emilio pursues her and begins an affair with her. However, Emilio's family rejects the relationship, which crushes Emilio. Antonio continues his own platonic relationship with Rosario as her confidante. When Rosario's brother, Jonhefe, with whom Rosario lives, is killed, Antonio and Rosario grow closer. However, Rosario, who specializes in murdering men while kissing them, is a marked woman, and she eventually meets her comeuppance. Antonio takes her to the emergency room, from where he relates her story.
Read more about this topic: Rosario Tijeras
Famous quotes containing the word plot:
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)