Technique and Basics
Like other forms of dance, Rock and Roll has evolved around the world over time. Depending on your location, the basics start with the Basic 6 step:
Leads take 2 steps to the left, 2 steps to the right, then do a rock-back motion on their left leg (known as the backstep or Linkstep)
Follows take 2 steps to the right, 2 steps to the left, then do a rock-back motion on their right leg (known as the backstep or Linkstep)
The most obvious feature of the Acrobatic rock and roll dance are its kicks (into thin air) and its acrobatic elements like lifts, jumps, throws and flips. Today's rock and roll is focused on show and competition dance and - with the exception of its name - has nearly nothing in common with the former rock and roll movement. It is danced in pairs or in formation. Over the years rock and roll dancing has experienced several important changes: the former 6-basic step was converted into the modern tournament's 9-basic step with its typical kick ball change. Other characteristics are techniques such as the man's body wave movement, that he uses to fling his partner from a sitting position upwards, and the throwing basic movement, where she steps onto his hands and is catapulted upwards into neck breaking jumps. Because of its demanding technique, high speed, and acrobatics, rock and roll is a straining high-performance dance and is most often performed by young dancers.
The name of the basic comes from the number of separate actions. With the 6-basic one counts (1)step (2)step (3)kick (4)settle (5)kick (6)settle or (1)kick (2)settle (3)kick (4)settle (5)kick (6)settle, with the 9-basic it is (1)kick (2)ball (3)change (4)kick (5)settle (6)settle (7)kick (8)settle (9)settle. This means that a correct rock and roll kick will have the supporting foot settling on the floor a tiny moment before the kicking foot settles.
Read more about this topic: Rock And Roll (dance)
Famous quotes containing the word technique:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)