Rick Benjamin (conductor) - Composition of Benjamin's Paragon Ragtime Orchestra

Composition of Benjamin's Paragon Ragtime Orchestra

Because orchestras by their nature and tradition are much more fluid in regards to personnel, there are 36 players on the payroll of the Paragon Ragtime Orchestra and their appearance at a particular performance depends on a wide variety of criteria including the number of players called for by the score(s) to be performed. The score for the silent motion picture Zorro was written for 12 instruments while the orchestra's ragtime program is scored for 10 or 11 players, depending on the publisher and arranger. The main set-up for a theater orchestra of the era was 5 strings, 1 flute, 1/2 clarinets, 1/2 cornets, 1 trombone, Piano/Conductor and percussion. Variations on the instrumentation depended on the publisher of the music, and of the arrangement. Some of the orchestra's programs of historic theater music call for from 25 to 30 musicians and some of the grand silent film scores call for over 70 players, so the orchestra has to hire out when they perform these programs.

The Road Manager for the Paragon Ragtime Orchestra is Leslie Cullen who also plays flute and piccolo and has been a member of the orchestra since 1989. Cullen studied at the Juilliard School and is an adjunct at Bucknell University. Cullen has appeared at the Ravinia Festival, The Kennedy Center, Chautauqua, and the Smithsonian Institution. Cullen is a native of Lawton, Oklahoma and was the former artist-in-residence for the State Arts Council of Oklahoma. Cullen has also played with the Royale Trio and the Linden Woodwind Quintet.

Read more about this topic:  Rick Benjamin (conductor)

Famous quotes containing the words composition of, composition, benjamin, paragon, ragtime and/or orchestra:

    Vices enter into the composition of virtues as poisons into the composition of certain medicines. Prudence and common sense mix them together, and make excellent use of them against the misfortunes that attend human life.
    François, Duc De La Rochefoucauld (1613–1680)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    Where there are no rights, there are no duties. To tell the truth is thus a duty; but it is a duty only in respect to one who has a right to the truth.
    —Henri Benjamin Constant De Rebecque (1767–1830)

    We can paint unrealistic pictures of the juggler—displaying her now as a problem-free paragon of glamour and now as a modern hag. Or we can see in the juggler a real person who strives to overcome the obstacles that nature and society put in her path and who does so with vigor and determination.
    Faye J. Crosby (20th century)

    Boomlay, boomlay, boomlay, Boom,”
    A roaring, epic, ragtime tune
    From the mouth of the Congo
    To the Mountains of the Moon.
    Vachel Lindsay (1879–1931)

    As the artist
    extends his world with
    one gratuitous flourish—a stroke of white or
    a run on the clarinet above the
    bass tones of the orchestra ...
    Denise Levertov (b. 1923)