Biography
Richard Sennett grew up in the Cabrini Green housing project in Chicago, coming from a family of Russian emigres. As a child he trained in music, studying the cello and conducting, working with Claus Adam of the Juilliard String Quartet and the conductor Pierre Monteux. When a hand injury put an end to his musical career, he entered academic life. He trained with David Riesman, Erik Erikson, and Oscar Handlin at Harvard, graduating with his Ph.D. in the History of American Civilization in 1969. His intellectual life as an urbanist came into focus during the time he spent as a fellow of the Joint Center for Urban Studies of Harvard and MIT.
Mr. Sennett's scholarly writing centers on the development of cities, the nature of work in modern society, and the sociology of culture. Families Against the City, his earliest book, examines the relation between family and work in 19th Century Chicago. A subsequent quartet of books explores urban life more largely: The Uses of Disorder, an essay about identity formation in cities; The Fall of Public Man, a history of public culture and public space, particularly in London, Paris, and New York in the 18th and 19th Centuries; The Conscience of the Eye, a study of how Renaissance urban design passed into modern city planning, and Flesh and Stone, an overview of the design of cities from ancient to modern times.
Another quartet of books is devoted to labor. The Hidden Injuries of Class is a study of class consciousness among working-class families in Boston; The Corrosion of Character explores how new forms of work are changing people's communal and personal experience; Respect probes the relation of work and reforms of the welfare system. The Culture of the New Capitalism provides an overview of these changes. Authority is an essay in political theory; it addresses the tools of interpretation by which people recast raw power into either legitimate or illegitimate authority.
Sennett currently is working on a project called 'Homo Faber,' exploring material ways of making culture. The first book in this series is The Craftsman, published in 2008; subsequent volumes are Together: The Rituals, Pleasures, and Politics of Cooperation, published in 2012, and a future volume on the making of the urban environment.
In the public realm, Sennett founded, and directed for a decade, the New York Institute of the Humanities at New York University. Sennett then chaired a United Nations commission on urban development and design. As president of the American Council on Work, Sennett led a forum, sponsored by the Rockefeller Foundation, for researchers trying to understand the changing pattern of American labor. Most recently he helped create, and has chaired, the Cities Programme at the London School of Economics. In 2006 he served as Chair of the jury of the Venice Biennale.
Sennett's literary hobby is writing about music, including novels with musical themes.
Read more about this topic: Richard Sennett
Famous quotes containing the word biography:
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West (18921983)
“A biography is like a handshake down the years, that can become an arm-wrestle.”
—Richard Holmes (b. 1945)
“The best part of a writers biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (18991977)