Reviews
His work has been acknowledged at some length(s) in the following and additional works:
- Ronald S. Berman’s "America in the Sixties" (1967)
- Ihab Hassan’s "Contemporary American Literature" (1973)
- Robert Spiller’s "Literary History of the United States" (fourth ed., 1974)
- "The Reader’s Adviser" (1969 & 1974)
- Daniel Hoffman’s "Harvard Guide to Contemporary American Writing" (1979)
- Irving and Anne D. Weiss’s "Thesaurus of Book Digests" 1950-1980 (1981)
- George Myers’ "Introduction to Modern Times" (1982)
- David Cope’s "New Directions in Music" (1984)
- Joan Lyons’ "Artists’ Books" (1985)
- Tom Holmes’ "Electronic and Experimental Music" (1985)
- Jamake Highwater’s "Shadow Show" (1986)
- "Columbia Literary History of the United States" (1988)
- Eric Salzman’s "Twentieth-Century Music: An Introduction" (third edition, 1988)
- Tom Johnson’s "The Voice of the New Music" (1989)
- Robert Siegle’s "Suburban Ambush" (1989)
- John Rodden’s "The Politics of Literary Reputation" (1989)
- "The Reader’s Catalog" (1989)
- Lydia Goehr’s "The Imaginary Museum of Musical Works" (1992)
- Bob Grumman’s "Of Manywhere-at-Once" (1998)
- Samuel R. Delany’s "About Writing" (2005)
- Kyle Gann’s "Music Downtown" (2006)
- Sally Banes’s "Before, Between, and Beyond: Three Decades of Dance Writing" (2007, University of Wisconsin Press)
- C. T. Funkhouser’s "Prehistoric Digital Poetry" (2007)
- Geza Perneczky’s "Assembling Magazines 1969-2000" (2007)
Read more about this topic: Richard Kostelanetz
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“I have been reporting club meetings for four years and I am tired of hearing reviews of the books I was brought up on. I am tired of amateur performances at occasions announced to be for purposes either of enjoyment or improvement. I am tired of suffering under the pretense of acquiring culture. I am tired of hearing the word culture used so wantonly. I am tired of essays that let no guilty author escape quotation.”
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