Influence On Music
During Remigius’s lifetime, music in the domain of the Church was monophonic, which would not change until the 12th and 13th centuries. However, the groundwork for polyphony was laid in his lifetime, with the examination and interpretation of ancient philosophical works. Texts by figures from Plato to Martianus Capella explored the philosophical relationships between mathematics and sound, and later, verse. Early medieval thinkers interpreted these texts in different ways, the grammarians among them (including Remigius of Auxerre), discovering innovative connections between the structures of music and verse. Through the grammatical exegesis of philosophical texts on the mathematics of music, the foundation was laid for polyphonic music, which came to fruition at Notre Dame de Paris some three centuries later.
It is interesting to note that during the Carolingian period, the Roman Church had difficulty instituting a universal structure of the Mass because the ritual in France included a strong oral and musical tradition not present in that of the Roman Church. Music was then institutionalized by Rome, necessitating the grammarians’ interpretation of ancient philosophical discourses on music.
Read more about this topic: Remigius Of Auxerre
Famous quotes containing the words influence and/or music:
“Only let the North exert as much moral influence over the South, as the South has exerted demoralizing influence over the North, and slavery would die amid the flame of Christian remonstrance, and faithful rebuke, and holy indignation.”
—Angelina Grimké (1805–1879)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)