Success and Controversy in Regional Theater
In 1961 there were only 23 regional theaters in the U.S. at the time that the first national organization of nonprofit theaters was formed. By 2003 the number of regional theaters had grown to 1,800.
Despite this evident success, some critics question if regional theater in the United States is becoming more like the highly "commercial" New York marketplace that many of its proponents set out to get away from. Since the regional theater movement began, there have been questions of how far these theaters will go to stay in business. As non-profits, they rely heavily on donations from patrons and some theaters have been accused of "pandering to the audience", meaning they have subordinated artistic purpose to please their audiences and receive donations. However, nonprofit theaters are under substantially less pressure than the commercial theaters that must sell millions of dollars worth of tickets to break even on a show, and thus constantly appeal to the mass market. While it is true that some regional theaters can not base all season decisions purely on their artistic desires and have to consider financial viability, they have much more freedom than commercial theaters. In major markets like New York and Chicago this issue is much less prevalent as there are dozens of small semi-professional theaters that produce new and experimental work without needing to sell many tickets as they do not pay most of their artists.
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