Music
Naïve Art, Red Flag's first album, was acclaimed by critics as a mixture of classically oriented melodies, driving dance beats and industrial sounding samples and fills.
The 1994 album The Lighthouse stood out as being stylistically unlike any of the band's prior or subsequent recordings, with highly ambient, tranquil melodies.
The 2000 release of the highly acclaimed and dark album, The Crypt, marked a new darker and more industrial style for Red Flag. Though often compared at the time to some of the music hailing from Europe's futurepop movement, Red Flag's music has been characterized by a unique style set apart from any other electronic music; distinguishing Red Flag in terms of melodies, vocals, and an expertly crafted electronic style all their own.
The releases of both Fear of a Red Planet and The Bitter End were harshly criticized by critics in the synthpop genre, who were unaccustomed to and unaccepting of Red Flag's increasingly dark style, lamenting what they considered the gloomy and dark aspects of these albums compared to Red Flag's earlier synthpop works. Only in later years were these two albums noticed anew in the goth and darkwave genres, by both fans and DJs, where they are enjoying a resurgence of interest and airplay.
Codebreaker t133 fared no better in 2003, with synthpop adherents than preceding albums. The uptempo album with all songs set to a beat of 133 per minute was more danceable than some prior Red Flag works but the album failed to catch on.
Red Flag's 2002 remix album, Who are the Skulls?, featured other synthpop artists such as Information Society's Paul Robb, Cosmicity, Provision, and Rob Rowe of Cause & Effect. The concept of the album was to organize a project in answer to the many requests from other remixers to work with the band.
In 2007, Chris Reynolds resumed recording as Red Flag and released the exceptional album Born Again to acclaim among the gothic community.
Read more about this topic: Red Flag (band)
Famous quotes containing the word music:
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
—Henry David Thoreau (1817–1862)
“When in our music God is glorified,
and adoration leaves no room for pride,
it is as though the whole creation cried Alleluia!”
—Frederick Pratt Green (b. 1903)