Reality Tour (Jessica Simpson) - Critical Reception

Critical Reception

Overall, the tour received mixed reviews from music critics. Many applaud Simpson's onstage persona but felt the show itself felt unfinished. Jim Farber (New York Daily News) felt Simpson's vocals during her show at the Radio City Music Hall were "overdramatic". He followed with, "Not that Simpson didn't give it her all as a singer. Pulling a Mariah Carey, she belted every note to the rafters. While she clearly lacks Ms. Carey's pipes, a gross excess of amplification, and some apparently recorded vocal helper, allowed her to simulate diva-status. Too bad the songs from her three CDs all sound like pieces fished out of Britney Spears slush pile". Dustin J. Seibert (The Cincinnati Enquirer) felt the singer's concert at the Riverbend Music Center was "honest and warm" He elaborates, "Simpson's reliance on her high-octane voice and bubbly personality set her apart from some of her pop counterparts. Her shows featured no pyrotechnics or funky choreography, just her butter-melting octave range over a smooth six-piece band and two backup singers".

Neva Chonin (San Francisco Chronicle) criticized Simpson's vocal performance at the Shoreline Amphitheatre. She writes, "A rendition of Berlin's 'Take My Breath Away', dedicated to her husband, sounded like an ode to autoerotic asphyxiation. With her band successfully drowning out her tuneful but wispy vocals, Simpson led sing-alongs for anesthetized funk number 'The Sweetest Sin' and an encore of 'With You'". Joey Guerra (Houston Chronicle) admired Simpson's personality during her performance at the Toyota Center; but felt the singer's concert was "uneven". He explains, "Her material is also a bit thin to sustain a full concert. Many album tracks began to sound alike after a while, and her few certifiable hits popped up late in the evening. 'Irresistible' came at the end of the show, and the feel-good anthem 'With You' was the expected encore. Even odder was the omission of 'I Wanna Love You Forever', Simpson's breakthrough single."

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