Read-only Turing Machine - Theory

Theory

We define a standard Turing machine by the 9-tuple

where

  • is a finite set of states;
  • is the finite set of the input alphabet;
  • is the finite tape alphabet;
  • is the left endmarker;
  • is the blank symbol;
  • is the transition function;
  • is the start state;
  • is the accept state;
  • is the reject state.

So given initial state reading symbol, we have a transition defined by which replaces with, transitions to state, and moves the "read head" in direction (left or right) to read the next input. In our 2DFA read-only machine, however, always.

This model is now equivalent to a DFA. The proof involves building a table which lists the result of backtracking with the control in any given state; at the start of the computation, this is simply the result of trying to move past the left endmarker in that state. On each rightward move, the table can be updated using the old table values and the character that was in the previous cell. Since the original head-control had some fixed number of states, and there is a fixed number of states in the tape alphabet, the table has fixed size, and can therefore be computed by another finite state machine. This machine, however, will never need to backtrack, and hence is a DFA.

Read more about this topic:  Read-only Turing Machine

Famous quotes containing the word theory:

    It is not enough for theory to describe and analyse, it must itself be an event in the universe it describes. In order to do this theory must partake of and become the acceleration of this logic. It must tear itself from all referents and take pride only in the future. Theory must operate on time at the cost of a deliberate distortion of present reality.
    Jean Baudrillard (b. 1929)

    Won’t this whole instinct matter bear revision?
    Won’t almost any theory bear revision?
    To err is human, not to, animal.
    Robert Frost (1874–1963)

    We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.
    Thomas Carlyle (1795–1881)