Ramsey Campbell - Bibliography - Novels

Novels

  • The Doll Who Ate His Mother (1976) (revised text, 1985)
  • The Bride of Frankenstein (1977) (novelisation of the 1935 film, written as Carl Dreadstone)
  • Dracula's Daughter (1977) (novelisation of the 1936 film, written as Carl Dreadstone)
  • The Wolf Man (1977) (novelisation of the 1941 film, written as Carl Dreadstone)
  • The Face That Must Die (1979) (Restored text: 1983)
  • The Parasite (1980) (published in the US with a different ending as To Wake the Dead)
  • The Nameless (1981) (filmed in 1999 as The Nameless)
  • The Claw (1983) (AKA Night of the Claw, Claw) (written as Jay Ramsay)
  • Incarnate (1983)
  • Obsession (1985)
  • The Hungry Moon (1986)
  • The Influence (1988)
  • Ancient Images (1989)
  • Midnight Sun (1990)
  • Needing Ghosts (1990)
  • The Count of Eleven (1991)
  • The Long Lost (1993)
  • The One Safe Place (1995)
  • The House on Nazareth Hill (1996) (AKA Nazareth Hill)
  • The Last Voice They Hear (1998)
  • Silent Children (2000)
  • Pact of the Fathers (2001) (filmed in 2002 as Second Name)
  • The Darkest Part of the Woods (2003)
  • The Overnight (2004)
  • Secret Stories (2005) (abridged US edition, Secret Story, 2006)
  • The Grin of the Dark (2007)
  • Thieving Fear (2008)
  • Creatures of the Pool (2009)
  • Solomon Kane (movie novelisation, 2010)
  • The Seven Days of Cain (2010)
  • Ghosts Know (2011)
  • The Kind Folk (2012)

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Famous quotes containing the word novels:

    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
    —George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    “All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.”
    —Christina Stead (1902–1983)

    “Of all my novels this bright brute is the gayest.”
    —Vladimir Nabokov (1899–1977)