Ramsey Campbell - Bibliography - Novels

Novels

  • The Doll Who Ate His Mother (1976) (revised text, 1985)
  • The Bride of Frankenstein (1977) (novelisation of the 1935 film, written as Carl Dreadstone)
  • Dracula's Daughter (1977) (novelisation of the 1936 film, written as Carl Dreadstone)
  • The Wolf Man (1977) (novelisation of the 1941 film, written as Carl Dreadstone)
  • The Face That Must Die (1979) (Restored text: 1983)
  • The Parasite (1980) (published in the US with a different ending as To Wake the Dead)
  • The Nameless (1981) (filmed in 1999 as The Nameless)
  • The Claw (1983) (AKA Night of the Claw, Claw) (written as Jay Ramsay)
  • Incarnate (1983)
  • Obsession (1985)
  • The Hungry Moon (1986)
  • The Influence (1988)
  • Ancient Images (1989)
  • Midnight Sun (1990)
  • Needing Ghosts (1990)
  • The Count of Eleven (1991)
  • The Long Lost (1993)
  • The One Safe Place (1995)
  • The House on Nazareth Hill (1996) (AKA Nazareth Hill)
  • The Last Voice They Hear (1998)
  • Silent Children (2000)
  • Pact of the Fathers (2001) (filmed in 2002 as Second Name)
  • The Darkest Part of the Woods (2003)
  • The Overnight (2004)
  • Secret Stories (2005) (abridged US edition, Secret Story, 2006)
  • The Grin of the Dark (2007)
  • Thieving Fear (2008)
  • Creatures of the Pool (2009)
  • Solomon Kane (movie novelisation, 2010)
  • The Seven Days of Cain (2010)
  • Ghosts Know (2011)
  • The Kind Folk (2012)

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Famous quotes containing the word novels:

    “Primarily I am a passionately religious man, and my novels must be written from the depth of my religious experience.”
    —D.H. (David Herbert)

    “The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.”
    —Ralph Waldo Emerson (1803–1882)

    “Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
    —Vladimir Nabokov (1899–1977)