Ramsey Campbell - Bibliography - Novels

Novels

  • The Doll Who Ate His Mother (1976) (revised text, 1985)
  • The Bride of Frankenstein (1977) (novelisation of the 1935 film, written as Carl Dreadstone)
  • Dracula's Daughter (1977) (novelisation of the 1936 film, written as Carl Dreadstone)
  • The Wolf Man (1977) (novelisation of the 1941 film, written as Carl Dreadstone)
  • The Face That Must Die (1979) (Restored text: 1983)
  • The Parasite (1980) (published in the US with a different ending as To Wake the Dead)
  • The Nameless (1981) (filmed in 1999 as The Nameless)
  • The Claw (1983) (AKA Night of the Claw, Claw) (written as Jay Ramsay)
  • Incarnate (1983)
  • Obsession (1985)
  • The Hungry Moon (1986)
  • The Influence (1988)
  • Ancient Images (1989)
  • Midnight Sun (1990)
  • Needing Ghosts (1990)
  • The Count of Eleven (1991)
  • The Long Lost (1993)
  • The One Safe Place (1995)
  • The House on Nazareth Hill (1996) (AKA Nazareth Hill)
  • The Last Voice They Hear (1998)
  • Silent Children (2000)
  • Pact of the Fathers (2001) (filmed in 2002 as Second Name)
  • The Darkest Part of the Woods (2003)
  • The Overnight (2004)
  • Secret Stories (2005) (abridged US edition, Secret Story, 2006)
  • The Grin of the Dark (2007)
  • Thieving Fear (2008)
  • Creatures of the Pool (2009)
  • Solomon Kane (movie novelisation, 2010)
  • The Seven Days of Cain (2010)
  • Ghosts Know (2011)
  • The Kind Folk (2012)

Read more about this topic:  Ramsey Campbell, Bibliography

Famous quotes containing the word novels:

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    “Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
    —Annie Dillard (b. 1945)

    “Primarily I am a passionately religious man, and my novels must be written from the depth of my religious experience.”
    —D.H. (David Herbert)