Novels
- The Doll Who Ate His Mother (1976) (revised text, 1985)
- The Bride of Frankenstein (1977) (novelisation of the 1935 film, written as Carl Dreadstone)
- Dracula's Daughter (1977) (novelisation of the 1936 film, written as Carl Dreadstone)
- The Wolf Man (1977) (novelisation of the 1941 film, written as Carl Dreadstone)
- The Face That Must Die (1979) (Restored text: 1983)
- The Parasite (1980) (published in the US with a different ending as To Wake the Dead)
- The Nameless (1981) (filmed in 1999 as The Nameless)
- The Claw (1983) (AKA Night of the Claw, Claw) (written as Jay Ramsay)
- Incarnate (1983)
- Obsession (1985)
- The Hungry Moon (1986)
- The Influence (1988)
- Ancient Images (1989)
- Midnight Sun (1990)
- Needing Ghosts (1990)
- The Count of Eleven (1991)
- The Long Lost (1993)
- The One Safe Place (1995)
- The House on Nazareth Hill (1996) (AKA Nazareth Hill)
- The Last Voice They Hear (1998)
- Silent Children (2000)
- Pact of the Fathers (2001) (filmed in 2002 as Second Name)
- The Darkest Part of the Woods (2003)
- The Overnight (2004)
- Secret Stories (2005) (abridged US edition, Secret Story, 2006)
- The Grin of the Dark (2007)
- Thieving Fear (2008)
- Creatures of the Pool (2009)
- Solomon Kane (movie novelisation, 2010)
- The Seven Days of Cain (2010)
- Ghosts Know (2011)
- The Kind Folk (2012)
Read more about this topic: Ramsey Campbell, Bibliography
Famous quotes containing the word novels:
“Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
—Ralph Waldo Emerson (18031882)
“Primarily I am a passionately religious man, and my novels must be written from the depth of my religious experience.”
—D.H. (David Herbert)
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)