Ramsey Campbell - Bibliography - Novels

Novels

  • The Doll Who Ate His Mother (1976) (revised text, 1985)
  • The Bride of Frankenstein (1977) (novelisation of the 1935 film, written as Carl Dreadstone)
  • Dracula's Daughter (1977) (novelisation of the 1936 film, written as Carl Dreadstone)
  • The Wolf Man (1977) (novelisation of the 1941 film, written as Carl Dreadstone)
  • The Face That Must Die (1979) (Restored text: 1983)
  • The Parasite (1980) (published in the US with a different ending as To Wake the Dead)
  • The Nameless (1981) (filmed in 1999 as The Nameless)
  • The Claw (1983) (AKA Night of the Claw, Claw) (written as Jay Ramsay)
  • Incarnate (1983)
  • Obsession (1985)
  • The Hungry Moon (1986)
  • The Influence (1988)
  • Ancient Images (1989)
  • Midnight Sun (1990)
  • Needing Ghosts (1990)
  • The Count of Eleven (1991)
  • The Long Lost (1993)
  • The One Safe Place (1995)
  • The House on Nazareth Hill (1996) (AKA Nazareth Hill)
  • The Last Voice They Hear (1998)
  • Silent Children (2000)
  • Pact of the Fathers (2001) (filmed in 2002 as Second Name)
  • The Darkest Part of the Woods (2003)
  • The Overnight (2004)
  • Secret Stories (2005) (abridged US edition, Secret Story, 2006)
  • The Grin of the Dark (2007)
  • Thieving Fear (2008)
  • Creatures of the Pool (2009)
  • Solomon Kane (movie novelisation, 2010)
  • The Seven Days of Cain (2010)
  • Ghosts Know (2011)
  • The Kind Folk (2012)

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Famous quotes containing the word novels:

    “Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
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    “Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States—first, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
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    “Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
    —Ralph Waldo Emerson (1803–1882)