Story
Unlike the previous games where the storyline is rather comical, ~n has a serious storyline, reminiscent of those in the Madou Monogatari games.
Satan-sama is found looking at some books in a magical library when he comes across a black box. He begins to examine the black box before it breaks free from his hands and opens. The next morning a Puyo Circus has arrived, and Arle alongside Carbuncle go to check it out. They are greeted by a mysterious figure in Pierrot, a jester-looking character.
When Arle arrives, something doesn't appear right, and Carbuncle disappears once more. Arle has to navigate her way past a number of foes as before. During her quest Draco, Seriri, Witch and Chiko join up with Arle as they face Schezo and Rulue. Rulue knew something was up with Satansama, and as Arle met him, he appeared strange and unlike his normal self. He freezes the other characters so that they don't interfere. Arle beats Satansama, who wakes up and asks why Arle was there. Satansama explains to Arle that he was brainwashed by a stronger foe, and Pierrot appears afterwards, revealing herself to be Doppelganger Arle. The two have a fight to see who exists in the world, and Arle was victorious.
Stages
Circus Stage Stage 1 - Skeleton T Stage 2 - Archan (Not Available in Game Boy Color) Stage 3 - KikiMora
Valcano Stage Stage 4 - Panotty Stage 5 - Draco (Draco Joins your Party When you Beat Her)
Water Stage Stage 6 - Nohoho Stage 7 - Seriri (Seriri Joins your Party When you Beat Her)
Floating Stage Stage 8 - Suketoudara Stage 9 - Harpy Stage 10 - Witch (Witch Joins your Party when you Beat Her)
Ruin Stage Stage 11 - Dragon Stage 12 - Chico (Chico Joins your Party when you Beat Her) Stage 13 - Schezo
Outside Circus Stage Stage 14 - Rulue
Another Dimension #1 Stage 15 - Satan
Another Dimension #2 Stage 16 - Doppelganger Arle
Read more about this topic: Puyo Puyo~n
Famous quotes containing the word story:
“I know not whether the remark is to our honour or otherwise, that lessons of wisdom have never such power over us, as when they are wrought into the heart, through the ground-work of a story which engages the passions: Is it that we are like iron, and must first be heated before we can be wrought upon?”
—Laurence Sterne (1713–1768)
“A good story is one that isn’t demanding, that proceeds from A to B, and above all doesn’t remind us of the bad times, the cardboard patches we used to wear in our shoes, the failed farms, the way people you love just up and die. It tells us instead that hard work and perseverance can overcome all obstacles; it tells lie after lie, and the happy ending is the happiest lie of all.”
—Kathleen Norris (b. 1947)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)