Further Reading
- Berendt, Joachim E. (1992). The Jazz Book: From Ragtime to Fusion and Beyond. Revised by Günther Huesmann, translated by H. and B. Bredigkeit with Dan Morgenstern. Brooklyn: Lawrence Hill Books. "The Styles of Jazz: From the Eighties to the Nineties," p. 57-59. ISBN 1-55652-098-0
- Byrne, David, et al. (2008). New York Noise: Art and Music from the New York Underground 1978-88. Soul Jazz Records. ISBN 0-9554817-0-8.
- Hegarty, Paul (2007). Noise/Music: A History. Continuum International. ISBN 0-8264-1727-2
- Heylin, Clinton (1993). From the Velvets to the Voidoids: The Birth of American Punk Rock. ISBN 1-55652-575-3
- McNeil, Legs and Gillian McCain (1997). Please Kill Me: The Uncensored Oral History of Punk. Grove Press. ISBN 0-8021-4264-8
- Masters, Marc (2008). No Wave. Black Dog Publishing. ISBN 1-906155-02-X
- Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X
- Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978-1984. Penguin. ISBN 0-14-303672-6
- Sharpe-Young, Garry (2005). New Wave of American Heavy Metal. Zonda Books. ISBN 0-9582684-0-1
- Zorn, John, ed. (2000). Arcana: Musicians on Music. Granary Books. ISBN 1-887123-27-X
Read more about this topic: Punk Jazz
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“Boys forget what their country means by just reading “the land of the free” in history books. Then they get to be men, they forget even more. Liberty’s too precious a thing to be buried in books.”
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“For aesthetics is the mother of ethics.... Were we to choose our leaders on the basis of their reading experience and not their political programs, there would be much less grief on earth. I believe—not empirically, alas, but only theoretically—that for someone who has read a lot of Dickens to shoot his like in the name of an idea is harder than for someone who has read no Dickens.”
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