Novels
In 1959, the novel Psycho was published. The novel was loosely based on the Wisconsin serial killer and cannibal Ed Gein. Author Robert Bloch lived 40 miles away from Gein's farmhouse and liked the idea of somebody being able to kill people in a small community and get away with it for years without being caught. The character of Norman Bates was very different in the novel than in the film version. In the novel, Bates is overweight, in his early 40's and drinks heavily. When Joseph Stefano adapted the novel into the screenplay, he made the character of Norman young, attractive and vulnerable. In 1982, Bloch wrote a sequel novel called Psycho II which had nothing to do with the 1983 film version. In the novel, Norman Bates escapes the mental institution and goes to Hollywood to stop the production of a film based on his life. Many critics and fans described the novel as being silly and weird and couldn't have possibly been made into a film. In 1990, due to the pressure from his publishing company Bloch wrote a third novel called Psycho House. However according to horror writer David J. Schow, when writing it Bloch originally called it Psycho 13. In the novel, the Bates mansion and motel are bought as tourist attractions and a series of murders begin to take place.
Read more about this topic: Psycho (film Series)
Famous quotes containing the word novels:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.”
—Vladimir Nabokov (1899–1977)
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)