Probability Current - Connection With Classical Mechanics

Connection With Classical Mechanics

The wave function can also be written in the complex exponential (polar) form:

where R and S are real functions of r and t.

Written this way, the probability density is

and the probability current is:

\begin{align}
\bold{j} & = \frac{\hbar}{2mi}\left(\Psi^* \bold{\nabla} \Psi - \Psi \bold{\nabla}\Psi^*\right) \\
& = \frac{\hbar}{2mi}\left(R e^{-i S / \hbar } \bold{\nabla}R e^{i S / \hbar } - R e^{i S / \hbar } \bold{\nabla}R e^{-i S / \hbar }\right) \\
& = \frac{\hbar}{2mi}\left \\
\end{align}

The exponentials and R∇R terms cancel:

Finally, combining and cancelling the constants, and replacing R2 with ρ,

If we take the familiar formula for the current:

,

where v is the velocity of the particle (also the group velocity of the wave), we can associate the velocity with ∇S/m, which is the same as equating ∇S with the classical momentum p = mv. This interpretation fits with Hamilton-Jacobi theory, in which

in Cartesian coordinates is given by ∇S, where S is Hamilton's principal function.

Read more about this topic:  Probability Current

Famous quotes containing the words connection with, connection, classical and/or mechanics:

    “What is the vanity of the vainest man compared with the vanity which the most modest person possesses when, in connection with nature and the world, he experiences himself as “man”!”
    —Friedrich Nietzsche (1844–1900)

    “We say that the hour of death cannot be forecast, but when we say this we imagine that hour as placed in an obscure and distant future. It never occurs to us that it has any connection with the day already begun or that death could arrive this same afternoon, this afternoon which is so certain and which has every hour filled in advance.”
    —Marcel Proust (1871–1922)

    “Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
    —W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    “It is only the impossible that is possible for God. He has given over the possible to the mechanics of matter and the autonomy of his creatures.”
    —Simone Weil (1909–1943)