Prince Edward Viaduct - Suicides and Accidental Falls

Suicides and Accidental Falls

At the time of the construction of the viaduct, suicide was not considered to be a major social issue, and as such the bridge design did not include any means for the prevention of suicides. As suicide became more prevalent in society, and with an increase in the city population, the Prince Edward Viaduct became a magnet for suicide, as people could easily jump over its low railings. This not only posed a risk to the lives of the jumpers, but also to the traffic underneath, which was in danger of being hit by a falling body. It was also possible for a child to climb onto the railing and fall accidentally while walking along it.

With nearly 500 suicides by 2003, the Viaduct ranked as the second most fatal standing structure in the world, after the Golden Gate Bridge in San Francisco. At its peak in 1997, the suicide rate averaged one person every 22 days. This prompted the construction of a suicide barrier in 2003 called the Luminous Veil.

A 2010 study found that though the barrier prevented suicide attempts from the Viaduct, overall rates of suicide by jumping for the city of Toronto have not changed since its construction.

Designed by architect Derek Revington and engineers at Halcrow Yolles, and completed in 2003 at the cost of C$5.5 million, the Luminous Veil consists of over 9,000 steel rods, 12.7 cm apart and 5 m high, stretched to cantilevered girders to function as a suicide barrier. At the same time as the construction of the Luminous Veil, the bridge also underwent a renovation with the water proofing and concrete deterioration being replaced. While awaiting approval of the barrier and during construction, which was subject to numerous delays, 48 to 60 suicides took place at the bridge. The Luminous Veil received the 1999 Canadian Architect Award of Excellence.

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Famous quotes containing the words suicides, accidental and/or falls:

    Don’t look now, God, we’re all right.
    All the suicides are eating Black Bean Soup;
    the Dalmatians, our turnip, our spotted parasite
    snoozles in her chair.
    Anne Sexton (1928–1974)

    In an age of synthetic images and synthetic emotions, the chances of an accidental encounter with reality are remote indeed.
    Serge Daney (1944–1992)

    For me, it is as though at every moment the actual world had completely lost its actuality. As though there was nothing there; as though there were no foundations for anything or as though it escaped us. Only one thing, however, is vividly present: the constant tearing of the veil of appearances; the constant destruction of everything in construction. Nothing holds together, everything falls apart.
    Eugène Ionesco (b. 1912)