Criticism
As the archaeologists Colin Renfrew and Paul Bahn noted, "For its most severe critics, while making a number of valid criticisms, simply developed some of the ideas and theoretical problems introduced by . To these critics it brought in a variety of approaches from other disciplines, so that the term "postprocessual," while rather neatly echoing the epithet "postmodern" in literary studies, was a shade arrogant in presuming to supersede what it might quite properly claim to complement."
In their article "Processual Archaeology and the Radical Critique" (1987), Timothy K. Earle and Robert W. Preucel examined the post-processual movement's "radical critique" of processualism, and whilst accepting that it had some merit and highlighted some important points, they came to the conclusion that on the whole, the post-processual approach was flawed because it failed to produce an explicit methodology.
Read more about this topic: Post-processual Archaeology
Famous quotes containing the word criticism:
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)