Description
The original blocks of the Nanjing Tower's arched door, now pieced back together and on display at the Nanjing MuseumThe tower was octagonal with a base of about 97 feet (30 m) in diameter. When it was built, the tower was one of the largest buildings in China, rising up to a height of 260 feet (79 m) with nine stories and a staircase in the middle of the pagoda, which spiraled upwards for 184 steps. The top of the roof was marked by a golden pineapple. There were original plans to add more stories, according to an American missionary who in 1852 visited Nanjing. There are only a few Chinese pagodas that surpass its height, such as the still existent 275-foot-tall (84 m) 11th-century Liaodi Pagoda in Hebei or the no longer existent 330-foot-tall (100 m) 7th-century wooden pagoda of Chang'an.
The tower was built with white porcelain bricks that were said to reflect the sun's rays during the day, and at night as many as 140 lamps were hung from the building to illuminate the tower. Glazes and stoneware were worked into the porcelain and created a mixture of green, yellow, brown and white designs on the sides of the tower, including animals, flowers and landscapes. The tower was also decorated with numerous Buddhist images.
Read more about this topic: Porcelain Tower Of Nanjing
Famous quotes containing the word description:
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“He hath achieved a maid
That paragons description and wild fame;
One that excels the quirks of blazoning pens.”
—William Shakespeare (1564–1616)
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)