Style
Despite fitting into a rather common category, as a teen-centered mix of drama and comedy, Popular differentiated itself from its peers in its quirky, non sequitur humor and overall satirical approach to characters and story lines, a feature that would grow as the series progressed. Such elements included Mary Cherry's long-lost sister from the ghetto, B. Ho (and even their mother's name, Cherry Cherry); an occasion where both groups switched hair colors; Bobbi Glass's lost finger being replaced with a metal one complete with extendable pointer and knife attachments; and Josh's work as a window salesman. The show also utilized a variety of pop culture references and nonsensical jokes (for instance, April Tuna's reference to "getting some frottage" in the hall closet).
The show's theme was excerpted from the song "Supermodels," a track from indie singer-songwriter Kendall Payne's 1999 album "Jordan's Sister." Released on Capitol Records, it was produced by Glen Ballard, best known for his co-writing and producing Alanis Morissette's breakthrough smash album, "Jagged Little Pill."
Read more about this topic: Popular (TV Series)
Famous quotes containing the word style:
“Sometimes among our more sophisticated, self-styled intellectualsand I say self-styled advisedly; the real intellectual I am not sure would ever feel this waysome of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.”
—Lyndon Baines Johnson (19081973)
“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”
—Thornton Wilder (18971975)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)