Style
Despite fitting into a rather common category, as a teen-centered mix of drama and comedy, Popular differentiated itself from its peers in its quirky, non sequitur humor and overall satirical approach to characters and story lines, a feature that would grow as the series progressed. Such elements included Mary Cherry's long-lost sister from the ghetto, B. Ho (and even their mother's name, Cherry Cherry); an occasion where both groups switched hair colors; Bobbi Glass's lost finger being replaced with a metal one complete with extendable pointer and knife attachments; and Josh's work as a window salesman. The show also utilized a variety of pop culture references and nonsensical jokes (for instance, April Tuna's reference to "getting some frottage" in the hall closet).
The show's theme was excerpted from the song "Supermodels," a track from indie singer-songwriter Kendall Payne's 1999 album "Jordan's Sister." Released on Capitol Records, it was produced by Glen Ballard, best known for his co-writing and producing Alanis Morissette's breakthrough smash album, "Jagged Little Pill."
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Famous quotes containing the word style:
“If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.”
—Ishmael Reed (b. 1938)
“It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.”
—Elizabeth Stuart Phelps (1844–1911)
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)