Film and Television Appearances
Due to its recognizable nature, the bridge has been featured in numerous films and television shows:
- Le Pont des Arts is a French film directed by Eugène Green, with Natacha Régnier and Denis Podalydès. The film is a love story which tells the impossible tale of two youths who have never before met. The action unrolls in Paris between 1979 and 1980, in other words it occurs during the collapsing of the bridge. The film was presented in 2004 at the 57th Locarno International Film Festival.
- It is featured in the 2001 French film Amelie, in the scene where Amelie has her revelation and decides to do good deeds for people who merit it.
- It is featured in the last episode of Sex and the City.
- It is featured on the August 3, 2011 episode of The Late Late Show with Craig Ferguson.
- In 2010 some Gossip Girl episodes took place at the bridge
- The commercial of 'Tresor" by Lancôme directed by Peter Lindbergh and starring Kate Winslet was filmed there.
- It is featured In 2010 in the American remake of the French movie "LOL : Laughing Out Loud" with Miley Cyrus and Demi Moore.
- It is featured in the 1932 French movie "Boudu Sauvé Des Eaux" with Michel Simon.
- It is mentioned in the 2011 computer animated feature A Monster in Paris.
- It appears in the French reality television show, Amazing Race, where teams had to perform a task there.
Read more about this topic: Pont Des Arts
Famous quotes containing the words film, television and/or appearances:
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.”
—Muriel Beadle (b. 1915)