Politics and Vision: Continuity and Innovation in Western Political Thought

Politics and Vision: Continuity and Innovation in Western Political Thought is a work of political theory by Princeton Emeritus Professor Sheldon S. Wolin. Part One, consisting of ten chapters and first published in 1960, distinguishes political philosophy from philosophy in general and traces political philosophy from its Platonic origins to modern day. Part Two, consisting of seven chapters and published (along with Part One) in a 2004 expanded edition, traces the development of political thought from Marx, Nietzsche, and others up to the late 20th century. Wolin left Part One unaltered in the expanded edition, confining the expressions of his changes in thought about political theory to those sections of Part Two that overlap with Part One.

One sign of the significance of the work is the large number of graduate students and professors who for three decades used it as a primary source of guidance in the field of political theory.

In revising the work, Wolin cites three major changes in political theory and politics between 1960 and 2004: (1) the aftermath of Fascism's fall in Europe and Communism's fall generally, with an intervening constant "semi-mobilization" by liberal democracies, (2) an increase in the rights of citizens against the tendencies of regimentation by the state (e.g. anti-discrimination laws), and (3) an increase in the ability of nations to "control, punish, survey, direct, and influence citizens." Wolin states that the first change necessitated the latter two changes, leading to an "inverted totalitarianism" where increased rights exist alongside a less participatory citizenry under more pervasive governmental control.

Wolin states that an inquiry is a process, a tool to find truths. Philosophy is distinguished from other forms of inquiry in that "philosophy claims to deal with truths publicly arrived at and publicly demonstrable." Contrasted with this are revealed truths dealing with sacred rites, religion, and private findings of conscience or feelings. Political philosophy hews close to this characteristic of philosophy as a whole, with the public ("demos") at times in history demanding that laws be publicly demonstrated and accessible, even if their origin was supposedly revealed truth. For Wolin, it is the nature of politics that common concerns are brought before the political process, because the political is best equipped both to confront those concerns and to do so in a public, demonstrable, and thus philosophical manner.

The discernment of what within philosophy exactly is political and what is not is confused by two factors: (1) the line can be blurred due to the interaction of political factors with other influences and (2) the language used to describe political ideas is often used in other contexts, and vocabulary from other areas is often applied to the political.

Famous quotes containing the words politics, continuity, innovation, western, political and/or thought:

    The word “revolution” itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics: the “revolution” of a wheel which returns in the end to the same place; the “revolving door” of a politics which has “liberated” women only to use them, and only within the limits of male tolerance.
    Adrienne Rich (b. 1929)

    Continuous eloquence wearies.... Grandeur must be abandoned to be appreciated. Continuity in everything is unpleasant. Cold is agreeable, that we may get warm.
    Blaise Pascal (1623–1662)

    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)

    An accent mark, perhaps, instead of a whole western accent—a point of punctuation rather than a uniform twang. That is how it should be worn: as a quiet point of character reference, an apt phrase of sartorial allusion—macho, sotto voce.
    Phil Patton (b. 1953)

    Common hypocrites pass themselves off as doves; political and literary hypocrites pose as eagles. But don’t be fooled by their eagle-like appearance. These are not eagles, but rats or dogs.
    Anton Pavlovich Chekhov (1860–1904)

    The fantasies inspired by TB in the last century, by cancer now, are responses to a disease thought to be intractable and capricious—that is, a disease not understood—in an era in which medicine’s central premise is that all diseases can be cured.
    Susan Sontag (b. 1933)