Philip Evergood - Exhibitions of Note

Exhibitions of Note

Corcoran Gallery of Art, 1928, 1939–1963, Salons of America, 1934, PAFA, 1934-66 (gold medal 1949, 1958), AIC 1935 (prize), AIC 1946 (prize), WFNY, 1939, La Pintura Comtemporanea Norte America, 1941, WMA, 1942, AV 1942 (prize), American-British Goodwill Art Exhibition, 1944, Pepsi Cola Art Competition, 1944 (winner), Tate Gallery: London 1946, American Art Exhibition: Moscow, 1959, WMAA 1934-66 (Evergood Retrospective- 1967), Gallery Of Modern Art, Hunington, Hartford Museum, 1967, ASL New York, 1967–68, Smithsonian, 1968, The WPA Art Of New York City Exhibit, Parsons School Of Design, 1977 (posthumous)

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    In it he proves that all things are true and states how the truths of all contradictions may be reconciled physically, such as for example that white is black and black is white; that one can be and not be at the same time; that there can be hills without valleys; that nothingness is something and that everything, which is, is not. But take note that he proves all these unheard-of paradoxes without any fallacious or sophistical reasoning.
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