Books
- Louise Bourgeois: The Secret of the Cells, Prestel, Munich-Berlin-London-New York, 2008, pp. 167
- Das aufgehobene Bild. Collage als Modus der Malerei von Pablo Picasso bis Richard Prince. Muenchen: Wilhelm Fink Verlag, 2007, 220 pages.
- Ed. (with contribution): Stanley Kubrick. Still Moving Pictures. Fotografien 1945-50
Regensburg: Verlag Schnell & Steiner, Edition ICCARUS, 1999, 232 pages (with Rainer Crone)
- Edited: Stanley Kubrick. Still Moving Pictures. Photographies 1945-50
(revised French edition) Paris: Edition ICCARUS / FNAC, 1999, 230 pages (with Rainer Crone)
- Edited (with introduction, p. 9-19): Paul Klee und Edward Ruscha. Projekt der Moderne. Sprache und Bild..Regensburg: Schnell & Steiner, Edition ICCARUS, 1998, 256 pages
With essays by Rainer Crone, Joseph Leo Koerner and Alexandra Gräfin Stosch
- Louise Bourgeois: The Secret of the Cells (co-authored with Rainer Crone)
New York: Prestel Verlag 1998, 160 pages
- Louise Bourgeois: Das Geheimnis der Zelle. (co-authored with Rainer Crone)
Munich: Prestel Verlag, 1998, 160 pages
- Lyrische Lebenswelten. Die Malerei von Nikolaus Hipp.
Lyrical Worlds. The paintings of Nikolaus Hipp. Regensburg: Schnell & Steiner, Edition ICCARUS, 1998 (German and English edition), 128 pages (with Rainer Crone and a foreword by Gabriela Habsburg)
Read more about this topic: Petrus Schaesberg
Famous quotes containing the word books:
“Isn’t it remarkable how everyone who knew Lawrence has felt compelled to write about him? Why, he’s had more books written about him than any writer since Byron!”
—Aldous Huxley (1894–1963)
“... the subjective viewpoint is the only one to use regarding a library. Your true library is a collection of the books you want. You may have deplorably poor taste or bad judgment. Never mind. Correct those traits before you exchange your books.”
—Carolyn Wells (1862–1942)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)