Petrus Schaesberg - Books

Books

  • Louise Bourgeois: The Secret of the Cells, Prestel, Munich-Berlin-London-New York, 2008, pp. 167
  • Das aufgehobene Bild. Collage als Modus der Malerei von Pablo Picasso bis Richard Prince. Muenchen: Wilhelm Fink Verlag, 2007, 220 pages.
  • Ed. (with contribution): Stanley Kubrick. Still Moving Pictures. Fotografien 1945-50

Regensburg: Verlag Schnell & Steiner, Edition ICCARUS, 1999, 232 pages (with Rainer Crone)

  • Edited: Stanley Kubrick. Still Moving Pictures. Photographies 1945-50

(revised French edition) Paris: Edition ICCARUS / FNAC, 1999, 230 pages (with Rainer Crone)

  • Edited (with introduction, p. 9-19): Paul Klee und Edward Ruscha. Projekt der Moderne. Sprache und Bild..Regensburg: Schnell & Steiner, Edition ICCARUS, 1998, 256 pages

With essays by Rainer Crone, Joseph Leo Koerner and Alexandra Gräfin Stosch

  • Louise Bourgeois: The Secret of the Cells (co-authored with Rainer Crone)

New York: Prestel Verlag 1998, 160 pages

  • Louise Bourgeois: Das Geheimnis der Zelle. (co-authored with Rainer Crone)

Munich: Prestel Verlag, 1998, 160 pages

  • Lyrische Lebenswelten. Die Malerei von Nikolaus Hipp.

Lyrical Worlds. The paintings of Nikolaus Hipp. Regensburg: Schnell & Steiner, Edition ICCARUS, 1998 (German and English edition), 128 pages (with Rainer Crone and a foreword by Gabriela Habsburg)

Read more about this topic:  Petrus Schaesberg

Famous quotes containing the word books:

    In an extensive reading of recent books by psychologists, psychoanalysts, psychiatrists, and inspirationalists, I have discovered that they all suffer from one or more of these expression-complexes: italicizing, capitalizing, exclamation-pointing, multiple-interrogating, and itemizing. These are all forms of what the psychos themselves would call, if they faced their condition frankly, Rhetorical-Over-Compensation.
    James Thurber (1894–1961)

    My only books Were woman’s looks And folly’s all they taught me.
    Thomas Moore (1779–1852)

    It is the interest one takes in books that makes a library. And if a library have interest it is; if not, it isn’t.
    Carolyn Wells (1862–1942)