Poet
Schjeldahl’s poetry falls in line with many of the characteristic themes and styles of the New York School. As a contemporary postmodern poet, Schjeldahl believed that poetry should be enjoyed and understood by all readers. In an interview with the Virginia Commonwealth University’s Blackbird Schjeldahl commented on how “there are no rewards in being obscure or abstruse or overbearing” (Wolgamott).
His poetry succeeds without a great deal of complexity in language usage or style while maintaining seriousness and poignancy. Schjeldahl’s poetry often addresses common experiences or familiar events. In his poem “My Generation” he opens: “Vietnam/ Drugs/ Civil Rights/ Rock/ Watergate/ (in that order?)/ Are the blows of history/ That have left my generation/ Its peculiar battered silhouette.” Schjeldahl fuels his poetry with historical and biographical context, allowing audiences to relate more intimately to his subject.
In an interview with Blackbird Schjeldahl stated writing things that people want to read is my bread and butter (Wolgamott).
Read more about this topic: Peter Schjeldahl
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“Some poems are for holidays only. They are polished and sweet, but it is the sweetness of sugar, and not such as toil gives to sour bread. The breath with which the poet utters his verse must be that by which he lives.”
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“Flashd from his bed the electric tidings came,
He is no better, he is much the same.”
—Anonymous.
Parody of the style of poet laureate Alfred Austin (1835-1913)
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