Peter Green (musician) - Playing Style and Song Writing

Playing Style and Song Writing

Green has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Super-Natural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterized by a shivering vibrato, clean cutting tones and a series of ten second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.

Green remains ambivalent about his songwriting success and more recently stated to Guitar Player magazine:

Oh, I was never really a songwriter. I was very lucky to get those hits. I shouldn't have been distracted from my fascination with the blues... I have been known to come up with the odd bit, but I'm not all that wild about the big composer credit

Read more about this topic:  Peter Green (musician)

Famous quotes containing the words playing, style, song and/or writing:

    The essential is to excite the spectators. If that means playing Hamlet on a flying trapeze or in an aquarium, you do it.
    Orson Welles (1915–1984)

    Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.
    Ernest Hemingway (1899–1961)

    Awake, O north wind, and come, O south wind! Blow upon my garden that its fragrance may be wafted abroad. Let my beloved come to his garden, and eat its choicest fruits.
    Bible: Hebrew, Song of Solomon 4:16.

    I’ve tried to reduce profanity but I reduced so much profanity when writing the book that I’m afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
    Ernest Hemingway (1899–1961)