Playing Style and Song Writing
Green has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Super-Natural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterized by a shivering vibrato, clean cutting tones and a series of ten second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.
Green remains ambivalent about his songwriting success and more recently stated to Guitar Player magazine:
| “ | Oh, I was never really a songwriter. I was very lucky to get those hits. I shouldn't have been distracted from my fascination with the blues... I have been known to come up with the odd bit, but I'm not all that wild about the big composer credit | ” |
Read more about this topic: Peter Green (musician)
Famous quotes containing the words playing, style, song and/or writing:
“A daughter of Eve ... had better be fifty leagues off—or in her warm bed—or playing with a case-knife—or any thing you please—than make a man the object of her attention, when the house and all the furniture is her own.”
—Laurence Sterne (1713–1768)
“Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.”
—William Burroughs (b. 1914)
“There’s nothing that makes you so aware of the improvisation of human existence as a song unfinished. Or an old address book.”
—Carson McCullers (1917–1967)
“In my writing I am acting as a map maker, an explorer of psychic areas ... a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.”
—William Burroughs (b. 1914)