Playing Style and Song Writing
Green has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Super-Natural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterized by a shivering vibrato, clean cutting tones and a series of ten second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.
Green remains ambivalent about his songwriting success and more recently stated to Guitar Player magazine:
| “ | Oh, I was never really a songwriter. I was very lucky to get those hits. I shouldn't have been distracted from my fascination with the blues... I have been known to come up with the odd bit, but I'm not all that wild about the big composer credit | ” |
Read more about this topic: Peter Green (musician)
Famous quotes containing the words playing, style, song and/or writing:
“Those who refuse to play second fiddle may wind up playing no fiddle at all.”
—Mason Cooley (b. 1927)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (18991961)
“Stay me with flagons, comfort me with apples: for I am sick of love.”
—Bible: Hebrew Song of Solomon, 2:5.
“England has the most sordid literary scene Ive ever seen. They all meet in the same pub. This guys writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. Theyre all scratching each others backs.”
—William Burroughs (b. 1914)