Playing Style and Song Writing
Green has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Super-Natural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterized by a shivering vibrato, clean cutting tones and a series of ten second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.
Green remains ambivalent about his songwriting success and more recently stated to Guitar Player magazine:
| “ | Oh, I was never really a songwriter. I was very lucky to get those hits. I shouldn't have been distracted from my fascination with the blues... I have been known to come up with the odd bit, but I'm not all that wild about the big composer credit | ” |
Read more about this topic: Peter Green (musician)
Famous quotes containing the words playing, style, song and/or writing:
“Those who refuse to play second fiddle may wind up playing no fiddle at all.”
—Mason Cooley (b. 1927)
“I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.”
—Thomas Jefferson (1743–1826)
“Christianity only hopes. It has hung its harp on the willows, and cannot sing a song in a strange land. It has dreamed a sad dream, and does not yet welcome the morning with joy. The mother tells her falsehoods to her child, but, thank heaven, the child does not grow up in its parent’s shadow. Our mother’s faith has not grown with her experience. Her experience has been too much for her. The lesson of life was too hard for her to learn.”
—Henry David Thoreau (1817–1862)
“Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological.”
—Flannery O’Connor (1925–1964)