Peter Green (musician) - Playing Style and Song Writing

Playing Style and Song Writing

Green has been praised for his swinging shuffle grooves and soulful phrases and favoured the minor mode and its darker blues implications. His distinct tone can be heard on "The Super-Natural", an instrumental written by Green for John Mayall and the Bluesbreakers' 1967 album A Hard Road. This song demonstrates Green's control of harmonic feedback. The sound is characterized by a shivering vibrato, clean cutting tones and a series of ten second sustained notes. These tones were achieved by Green controlling feedback on a Les Paul guitar.

Green remains ambivalent about his songwriting success and more recently stated to Guitar Player magazine:

Oh, I was never really a songwriter. I was very lucky to get those hits. I shouldn't have been distracted from my fascination with the blues... I have been known to come up with the odd bit, but I'm not all that wild about the big composer credit

Read more about this topic:  Peter Green (musician)

Famous quotes containing the words playing, style, song and/or writing:

    Give me mine angle, we’ll to th’ river; there,
    My music playing far off, I will betray
    Tawny-finned fishes; my bended hook shall pierce
    Their slimy jaws; and as I draw them up,
    I’ll think them every one an Antony,
    And say, “Ah, ha! y’ are caught.”
    William Shakespeare (1564–1616)

    We think it is the richest prose style we know of.
    Henry David Thoreau (1817–1862)

    I can’t stand to sing the same song the same way two nights in succession, let alone two years or ten years. If you can, then it ain’t music, it’s close-order drill or exercise or yodeling or something, not music.
    Billie Holiday (1915–1959)

    As if reasoning were any kind of writing or talking which tends to convince people that some doctrine or measure is true and right.
    Catherine E. Beecher (1800–1878)