Perspective Control Lens - Gallery of Perspective Control Lenses

Gallery of Perspective Control Lenses

  • Olympus 24 mm f/3.5 Zuiko-Shift. 10 mm maximum shift. Mounted on an Olympus camera.

  • 28 mm f/3.5 PC-Nikkor. 11 mm maximum shift. Mounted on a Nikon F5.

  • 35 mm f/2.8 PC-Nikkor. 11 mm maximum shift.

  • Arax 35 mm f/2.8 TS mounted on a Canon EOS 40D. Fully tilted.

  • Canon TS-E 24 mm f/3.5L. 11 mm maximum shift. 8° maximum tilt.

  • Minolta 35 mm f/2.8 shift. 11 mm maximum shift.

  • Schneider 35 mm f/4 PA-Curtagon. 7 mm maximum shift. Also rebadged by Leica.

  • Pentax Shift 28 mm f/2.8 SMC lens.

  • Pentax Shift 6x7 75 mm f/4.5. 20 mm maximum shift. Mounted on a Pentax 6×7 medium-format SLR.

  • Pentax-mount Arax 35 mm f/2.8 TS at max tilt and no shift.

Read more about this topic:  Perspective Control Lens

Famous quotes containing the words gallery of, gallery, perspective, control and/or lenses:

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
    Herman Melville (1819–1891)

    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
    Thomas Henry Huxley (1825–95)

    All things being equal, I would choose a woman over a man in order to even the balance of power, to insinuate a different perspective into the process, to give young women something to shoot for and someone to look up to. But all things are rarely equal.
    Anna Quindlen (b. 1952)

    Playing at make-believe, the young child becomes the all-powerful person he cannot be in reality. In pretending, the child takes control of his otherwise powerless position.
    Joanne E. Oppenheim (20th century)

    Life is a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in its focus.
    Ralph Waldo Emerson (1803–1882)