The Raised Sixth in Minor Tunes
The most commonly remarked difference between traditional singing and the notation of the Sacred Harp books occurs in minor-mode tunes, and involves the so-called "raised sixth."
Here is the relevant background. As taught to beginning musicians, the minor scale is said to take three basic forms, which are as follows.
Natural minor (also called "Aeolian mode")
Harmonic minor
Melodic minor
Most Sacred Harp songs are notated in the natural minor, as given above. However, in Sacred Harp singing, it is common to sing the sixth degree of the minor scale, wherever it may appear, one semitone higher than it is written. In musical terminology, the minor scale that results is called the Dorian mode. In the following notation, the notes that in Sacred Harp are called “raised sixths” are shown in red.
Singing minor-key songs in the Dorian mode instead of the natural minor is felt by some to give the music greater character and strength. The effect is usually subtle, however, because the sixth degree constitutes only a small minority of the notes in a typical minor-key Sacred Harp song. Indeed, some minor-key Sacred Harp songs use a so-called "gapped" scale, in which the sixth degree does not occur at all.
Read more about this topic: Performance Practice Of Sacred Harp Music
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