Setting
The strip is set in a fictional suburb within or around Albany, California, where Pastis currently lives (at least two strips have stated that the characters live in "Albany"). Every house appears to have siding on it. There is one brick wall, a beach, and the street which is usually littered with the same soda/beer can. Stephan says in a treasury that the can is the only piece of trash he knows how to draw. He then later exercises trash-drawing by adding a banana peel and crumpled up paper in another strip.
The continuity of the strip is very loose, and Pastis even says that "sometimes characters get jobs once, and you never hear about it again." Many storylines are left with open endings, and sometimes continuity leaps are made, especially when characters die (he says they "un-die", a word which has been added to the Urban Dictionary due to Pastis creating it). Usually, relationships between characters are left unaltered. (Farina, who appears infrequently for long periods of time, has a relationship with Rat that usually picks up where it left off.)
Read more about this topic: Pearls Before Swine (comics)
Famous quotes containing the word setting:
“We don’t arrive at it by standing on one leg or on the first day of our setting out—but though we may jostle one another on the way that is no reason why we should strike or trample—elbowing’s enough.”
—George Gordon Noel Byron (1788–1824)
“The trees stand in the setting sun,
I in their freckled shade
Regard the cavalcade of sin,
Remorse for foolish action done,
That pass like ghosts regardless, in
A human image made....”
—Philip Larkin (1922–1986)
“Many working mothers feel guilty about not being at home. And when they are there, they wish it could be perfect.... This pressure to make every minute happy puts working parents in a bind when it comes to setting limits and modifying behavior.”
—Cathy Rindner Tempelsman (20th century)