Career
Yates became a fan of The Boomtown Rats and their lead singer, Bob Geldof, with whom she became involved and who fathered her first three daughters. She posed naked for Penthouse in 1979, just before she became a music journalist, writing a column called "Natural Blonde" in the Record Mirror. She first came to prominence in the 1980s, as co-presenter (with Jools Holland) of the Channel 4 pop music programme The Tube. She also appeared alongside friend Jennifer Saunders in 1987 for a spoof 'mockumentary' on Bananarama.
In 1982, she released a version of the Nancy Sinatra hit song "These Boots Are Made for Walkin'".
After the birth of her daughters, Yates wrote two books on motherhood.
Yates continued with her rock journalism, in addition to being presenter of the cutting-edge music show The Tube. She became most notorious for her "on the bed" interviews on the show The Big Breakfast, produced by Geldof. On 27 October 1995 Yates appeared on the quiz programme Have I Got News For You and repeatedly clashed with Ian Hislop. Yates referred to Hislop as "the spawn of the devil".
Read more about this topic: Paula Yates
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)