Further Reading
- Allen Randolph, Jody, ed. An Sionnach: Special Issue: Paula Meehan. Double Issue. An Sionnach 5.1 and 5.2 (Bealtaine/Spring and Samhain/Fall 2009).
- Allen Randolph, Jody. "Text and Context: Paula Meehan."
- Auge, Andrew. "The Apparitions of “Our Lady of the Facts of Life”: Paula Meehan and the Visionary Quotidian."
- Boland, Eavan. "Unfinished Business: The Communal Art of Paula Meehan."
- Collins, Lucy. "A Way of Going Back: Memory and Estrangement in the Poetry of Paula Meehan."
- Falci, Eric. "Meehan’s Stanzas and the Irish Lyric After Yeats."
- Fogarty, Anne. "'Hear Me and Have Pity': Rewriting Elegy in the Poetry of Paula Meehan."
- González Arias, Luz Mar. "'In Dublin’s Fair City'—Citified Embodiments in Paula Meehan."
- Holdridge, Jefferson. "The Wolf Tree: Culture and Nature in Dharmakaya and Painting Rain."
- Denn Jackson, Eileen. "The Lyricism of Abjection in Paula Meehan’s Drama of Imprisonment."
- Kirkpatrick, Kathryn. "'A Murmuration of Starlings in a Rowan Tree': Finding Gary Snyder in Paula Meehan’s Eco-Political Poetics."
- McCarthy, Thomas. "'None of us well fixed' – Empathy and its Aesthetic Power in Paula Meehan’s Poetry."
- McMullen, Kim. "'Snatch a song from a stranger’s mouth': The Stage Plays and Radio Dramas of Paula Meehan."
- Mulhall, Anne. "Memory, Poetry and Recovery: Paula Meehan’s Transformational Aesthetics."
- O’Malley, Mary. "City Centre."
- Poloczek, Katarzyna. "'Sharing Our Differences': Individuality and Community in the Early Work of Paula Meehan."
- Schrage-Früh, Michaela. "Transforming that Past”: The Healing Power of Dreams in Paula Meehan’s Poetry."
- Tortora-Lee, Karen. Review of The Cell. Dir. John Keating. The Fab Marquee. 18 Sep. 2009.
- Villar-Argáiz, Pilar. "'Act Locally, Think Globally': Paula Meehan’s Local Commitment and Global Consciousness."
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“...what a thing it is to lie there all day in the fine breeze, with the pine needles dropping on one, only to return to the hotel at night so hungry that the dinner, however homely, is a fete, and the menu finer reading than the best poetry in the world! Yet we are to leave all this for the glare and blaze of Nice and Monte Carlo; which is proof enough that one cannot become really acclimated to happiness.”
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