Return To The Bar
After leaving politics, Hastings returned to his work as a barrister, and eventually surpassed even his previous reputation and success as an advocate. His first major case after returning was representing F. A. Mitchell-Hedges, a noted professional explorer, in his libel action against London Express Newspapers, the owner of the Daily Express. The Daily Express had published two articles saying that he was a liar, and had planned out a bogus robbery to advertise a device known as the Monomark. The case opened on 9 February 1928 in front of Lord Hewart, with Hastings and Norman Birkett representing Mitchell-Hedges and William Jowitt and J.B. Melville representing London Express Newspapers. Despite the skills of both Hastings and Birkett, who later became a much-lauded barrister in his own right, Mitchell-Hedges lost his case and had his reputation destroyed as a result.
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Famous quotes containing the words return to the, return to, return and/or bar:
“Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing—to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.”
—Ralph Waldo Emerson (1803–1882)
“Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source.”
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“Then came the Lord Chamberlain with his white staff,
And all the people began to laugh;
And then the Queen began to speak,
‘You’re welcome home, Sir Francis Drake.’”
—Unknown. Upon Sir Francis Drake’s Return from His Voyage about the World, and the Queen’s Meeting Him (l. 5–8)
“The bar ... is an exercise in solitude. Above all else, it must be quiet, dark, very comfortable—and, contrary to modern mores, no music of any kind, no matter how faint. In sum, there should be no more than a dozen tables, and a clientele that doesn’t like to talk.”
—Luis Buñuel (1900–1983)