Criticism
Criticism of Pascal's Wager began in his own day, and came from both staunch atheists (who question the 'benefits' of a deity whose 'realm' is beyond reason), and the religiously orthodox (who primarily take issue with the wager's deistic and agnostic language). It is criticized for not proving God's existence, encouragement of false belief and the problem of which religion and which God should be worshiped.
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“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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