Pachelbel's Canon - History

History

In his lifetime, Pachelbel was renowned for his chamber works, but most of them were lost. Only Musikalische Ergötzung—a collection of partitas published during Pachelbel's lifetime—is known, apart from a few isolated pieces in manuscripts. Canon and Gigue in D major is one such piece. A single, 19th-century manuscript copy of it survives, Mus.MS 16481/8 in the Berlin State Library. It contains two more chamber suites. Another copy, previously in Hochschule der Künste in Berlin, is now lost. The circumstances of the piece's composition are wholly unknown. One writer hypothesized that the Canon may have been composed for Johann Christoph Bach's wedding, on 23 October 1694, which Pachelbel attended. Johann Ambrosius Bach, Pachelbel, and other friends and family provided music for the occasion. Johann Christoph Bach, the oldest brother of Johann Sebastian Bach, was a former pupil of Pachelbel.

The Canon (without the accompanying gigue) was first published in 1919 by scholar Gustav Beckmann, who included the score in his article on Pachelbel's chamber music. His research was inspired and supported by renowned early music scholar and editor Max Seiffert, who in 1929 published his arrangement of Canon and Gigue in his Organum series. However, that edition contained numerous articulation marks and dynamics not in the original score. Furthermore, Seiffert provided tempi he considered right for the piece, but that were not supported by later research. The Canon was first recorded in 1940 by Arthur Fiedler, and a recording of the piece was made by the Jean-François Paillard chamber orchestra.

Read more about this topic:  Pachelbel's Canon

Famous quotes containing the word history:

    The whole history of civilisation is strewn with creeds and institutions which were invaluable at first, and deadly afterwards.
    Walter Bagehot (1826–1877)

    If you look at history you’ll find that no state has been so plagued by its rulers as when power has fallen into the hands of some dabbler in philosophy or literary addict.
    Desiderius Erasmus (c. 1466–1536)

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)