Our Lady of the Gate of Dawn (Lithuanian: Aušros Vartų Dievo Motina, Polish: Matka Boska Ostrobramska, Belarusian: Маці Божая Вастрабрамская) is the prominent painting of the Blessed Virgin Mary venerated by the faithful in the Chapel of the Gate of Dawn in Vilnius, Lithuania. The Renaissance painting, completed possibly in the first half of the 17th century, is an unusual portrayal of Madonna as she is depicted without infant Jesus. The artwork soon became known as miraculous and inspired a following. A dedicated chapel was built in 1671 by the Discalced Carmelites. At the same time, possibly borrowing from the Eastern Orthodox tradition, the painting was covered in expensive and elaborate silver and gold clothes leaving only the face and hands visible. In the following centuries, the following grew stronger and Our Lady became an important part of religious life in Vilnius. The following inspired many copies in Lithuania, Poland, and diaspora communities worldwide. The chapel was visited by Pope John Paul II in 1993. It is a major site of pilgrimage in Vilnius and attracts many visitors, especially from Poland.
Read more about Our Lady Of The Gate Of Dawn: History
Famous quotes containing the words lady, gate and/or dawn:
“A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride....”
—William Butler Yeats (1865–1939)
“The sucking milk from this our body sends through
jolts of light; the son, the father,
sharing mother’s joy
That brings a softness to the flower of the awesome
open curling lotus gate I cup and kiss”
—Gary Snyder (b. 1930)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)