Criticism
Each generation of Osprey has been subjected to some form of criticism from users and journalists.
Initial criticisms of the first generation were related to the significant increase in weight, and size of the trauma plates, compared with the existing ECBA. Media outlets reported that Royal Marines serving in Afghanistan identified the plates as restricting movement and were discarding them, despite the improved personal protection.
The quality of the manufacture of versions 1 and 2 has been criticised with reports of seams and fasteners tearing open in normal use.
First generation pouches were criticised for poor stability on the cover, with some infantry identifying that pouches designed to hold two magazines did not securely hold three, and that the scale of issue was inadequate to hold a standard patrol ammunition load of six magazines.
Read more about this topic: Osprey Body Armour
Famous quotes containing the word criticism:
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)