Oriya Culture - Music

Music

Sixteenth century witnessed the compilation of literature on music. The four important treatises written during that time are Sangitamava Chandrika, Natya Manorama, Sangita Kalalata and Gita Prakasha. Odissi music is a combination of four distinctive kinds of music, namely, Chitrapada, Dhruvapada, Panchal and Chitrakala. When music uses artwork, it is known as Chitikala. A unique feature of Oriya music is the Padi, which consists of singing of words in fast beat.

Being a part of the rich culture of Odisha, its music is also as much charming and colorful. Odissi music is more two thousand five hundred years old and comprises a number of categories. Of these, the five broad ones are Tribal Music, Folk music, Light Music, Light-Classical Music and Classical Music. Anyone who is trying to understand the culture of Odisha must take into account its music, which essentially forms a part of its legacy.

In the ancient times, there were saint-poets who wrote the lyrics of poems and songs that were sung to rouse the religious feelings of people. It was by the eleventh century that the music of Odisha, in the form of Triswari, Chatuhswari, and Panchaswari, underwent transformation and was converted into the classical style.

Folk music like Yogi Gita, Kendara Gita, Dhuduki Badya, Prahallad Natak, Palla, Sankirtan, Mogal Tamasa, Gitinatya, Kandhei Nacha, Kela Nacha, Ghoda Nacha, Danda Nacha and Daskathia are popular in Odisha.

Almost every tribal group has their own distinct song and dance style.

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Famous quotes containing the word music:

    See where my Love sits in the beds of spices,
    Beset all round with camphor, myrrh, and roses,
    And interlaced with curious devices
    Which her apart from all the world incloses!
    There doth she tune her lute for her delight,
    And with sweet music makes the ground to move,
    Whilst I, poor I, do sit in heavy plight,
    Wailing alone my unrespected love;
    Bartholomew Griffin (d. 1602)

    Where should this music be? I’ th’ air, or th’ earth?
    It sounds no more.
    William Shakespeare (1564–1616)

    Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.
    Johann Wolfgang Von Goethe (1749–1832)