ORB Survey of Iraq War Casualties - Criticism

Criticism

The ORB poll estimate has come under strong criticism in a peer reviewed paper entitled "Conflict Deaths in Iraq: A Methodological Critique of the ORB Survey Estimate", published in the journal Survey Research Methods. This paper "describes in detail how the ORB poll is riddled with critical inconsistencies and methodological shortcomings", and concludes that the ORB poll is "too flawed, exaggerated and ill-founded to contribute to discussion of the human costs of the Iraq war".

Epidemiologist Francisco Checci recently echoed these conclusions in a BBC interview, stating that he thinks the ORB estimate was "too high" and "implausible". Checci, like the paper above, says that a “major weakness” of the poll was a failure to adequately distinguish between households and extended family.

The Iraq Body Count project also rejected what they called the "hugely exaggerated death toll figures" of ORB, citing the Survey Research Methods paper,which Josh Dougherty of IBC co-wrote. IBC concluded that, "The pressing need is for more truth rooted in real experience, not the manipulation of numbers disconnected from reality."

John Rentoul, a columnist for The Independent newspaper, has asserted that the ORB estimate "exaggerate the toll by a factor of as much as 10" and that "the ORB estimate has rarely been treated as credible by responsible media organisations, but it is still widely repeated by cranks and the ignorant."

Read more about this topic:  ORB Survey Of Iraq War Casualties

Famous quotes containing the word criticism:

    Homoeopathy is insignificant as an art of healing, but of great value as criticism on the hygeia or medical practice of the time.
    Ralph Waldo Emerson (1803–1882)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)

    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
    George Steiner (b. 1929)