Instruments
Michael plays the theremin and Joshua plays the accordion. They both play the claviola and prove to be extremely versatile musicians, often switching instruments for each song. Other instruments include a toy piano, a melodica, a metallophone, jones-O-phone, cajón and a series of everyday sounds looped and altered to create textures and rhythms. Using all these instruments (or noises) together One Ring Zero creates a sound that defies genre. There is an undeniable klezmer influence throughout their music but also a modern rock or indie influence. The band has been denoted "Lit Rock" by the media but they seem to defy any singular name. Both Joshua and Michael sing, Michael bass and Joshua tenor. They normally play with a six piece band now, including of a trumpet, drum kit, and bass guitar.
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Famous quotes containing the word instruments:
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (1893–1968)
“The worth of a State, in the long run, is the worth of the individuals composing it ... a State which dwarfs its men, in order that they may be more docile instruments in its hands even for beneficial purposes—will find that with small men no great thing can really be accomplished.”
—John Stuart Mill (1806–1873)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)