Plot
The series features the exploits of irascible pensioner Victor Meldrew, who after being forced to retire from his job as a security guard, finds himself at war with the world and everything in it. Meldrew, cursed with misfortune and always complaining, is married to long-suffering wife Margaret, who is often left exasperated by his many misfortunes.
Amongst other witnesses to Victor's wrath are tactless family friend Jean Warboys, and next-door couple Patrick (Victor's nemesis) and Pippa Trench. Patrick often discovers Victor in inexplicably bizarre or compromising situations, leading him to believe that he is insane. The Meldrews' neighbour on the other side, overly cheery charity worker Nick Swainey, also adds to Victor's frustration.
Although set in a traditional suburban setting, the show subverts this genre with a strong overtone of black comedy. Season One's "The Valley Of Fear" is an episode which caused controversy, when Victor finds a frozen cat in his freezer. Writer David Renwick also combined farce with elements of tragedy. For example in the final episode, Victor is killed by a hit-and-run driver, and although there is no explicit reference that Victor and Margaret had children, the episode "Timeless Time" contained a reference to someone named Stuart; the strong implication being that they once had a son who had died as a child.
A number of episodes were also experimental in that they took place entirely in one setting. Such episodes include: Victor, Margaret, and Mrs Warboys stuck in a traffic jam; Victor and Margaret in bed suffering insomnia; Victor left alone in the house waiting to see if he has to take part in jury service; Victor and Margaret having a long wait in their solicitor's waiting room; and Victor and Margaret trying to cope during a power cut on the hottest night of the year.
Read more about this topic: One Foot In The Grave
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)