Background and History
In 1961, Italian theatre student Eugenio Barba left his studies at the Polish State Theatre School to join Jerzy Grotowski at Teatr 13 Rzedow in Opole. After three years with Grotowski, Barba travelled to India where he learned Kathakali, then returned to Oslo with the intention of becoming a theatre director. As a foreigner in Norway he found this was not easy, so he formed his own company, Odin Teatret, in October 1964. The company members were young people who had failed to gain admission to the Oslo State Theatre School and they rehearsed their first production in an air raid shelter.
In 1956, the Danish municipality of Holstebro invited Odin Teatret to create a theatre laboratory there, offering an old farm and a small sum of money. Nordisk Teaterlaboratorium was established as the umbrella organisation for Odin Teatret and all its activities. Since 1984, Odin Teatret has been a self-governing institution and today it has a permanent salaried staff of 18 people (including actors, technicians and administrative staff).
In 1989, Barba founded ISTA, the International School of Theatre Anthropology as an itinerant university and multicultural network of performers and scholars whose common field of study is theatre anthropology. Since 1990, ISTA in collaboration with the University of Bologna has organised the University of Eurasian Theatre, holding conferences and encounters of a theoretical-practical character. Another of the ISTA activities is Theatrum Mundi, a performance montage of scenes drawn from the repertoire of the physical scores of the Asian and Odin actors.
In 1992, the Centre for Theatre Laboratory Studies (CTLS) was established at Odin Teatret in collaboration with Aarhus University. As well as documenting and archiving all of Odin Teatret's activities, CTLS is researching the contribution of contemporary and historic theatre laboratories, promoting exchange between national and international theatre networks, and initiating seminars and conferences on theatre laboratories as a creative professional and theoretical environment.
Read more about this topic: Odin Teatret
Famous quotes containing the words background and, background and/or history:
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“We don’t know when our name came into being or how some distant ancestor acquired it. We don’t understand our name at all, we don’t know its history and yet we bear it with exalted fidelity, we merge with it, we like it, we are ridiculously proud of it as if we had thought it up ourselves in a moment of brilliant inspiration.”
—Milan Kundera (b. 1929)