Odin Teatret - Background and History

Background and History

In 1961, Italian theatre student Eugenio Barba left his studies at the Polish State Theatre School to join Jerzy Grotowski at Teatr 13 Rzedow in Opole. After three years with Grotowski, Barba travelled to India where he learned Kathakali, then returned to Oslo with the intention of becoming a theatre director. As a foreigner in Norway he found this was not easy, so he formed his own company, Odin Teatret, in October 1964. The company members were young people who had failed to gain admission to the Oslo State Theatre School and they rehearsed their first production in an air raid shelter.

In 1956, the Danish municipality of Holstebro invited Odin Teatret to create a theatre laboratory there, offering an old farm and a small sum of money. Nordisk Teaterlaboratorium was established as the umbrella organisation for Odin Teatret and all its activities. Since 1984, Odin Teatret has been a self-governing institution and today it has a permanent salaried staff of 18 people (including actors, technicians and administrative staff).

In 1989, Barba founded ISTA, the International School of Theatre Anthropology as an itinerant university and multicultural network of performers and scholars whose common field of study is theatre anthropology. Since 1990, ISTA in collaboration with the University of Bologna has organised the University of Eurasian Theatre, holding conferences and encounters of a theoretical-practical character. Another of the ISTA activities is Theatrum Mundi, a performance montage of scenes drawn from the repertoire of the physical scores of the Asian and Odin actors.

In 1992, the Centre for Theatre Laboratory Studies (CTLS) was established at Odin Teatret in collaboration with Aarhus University. As well as documenting and archiving all of Odin Teatret's activities, CTLS is researching the contribution of contemporary and historic theatre laboratories, promoting exchange between national and international theatre networks, and initiating seminars and conferences on theatre laboratories as a creative professional and theoretical environment.