North American Time Capsule is a 1967 composition by American experimental composer Alvin Lucier. The piece was composed at the invitation of Sylvania Applied Research Laboratories, which offered Lucier the use of a prototype vocoder. The vocal content of the piece was provided by the Brandeis University Chamber Chorus, of which Lucier was then the director. The score calls for members of the Chorus to “prepare a plan of activity using speech, singing, musical instruments, or any other sound producing means that might describe—to beings very far from the earth’s environment either in space or in time—the physical, social, spiritual, or any other situation in which we find ourselves at the present time.” Along with Sylvania engineer Calvin Howard, Lucier used the vocoder to isolate and manipulate elements of speech in real time. Eight separate tracks were recorded and subsequently mixed by Lucier. The piece is available on Vespers and Other Early Works (New World Records).
Famous quotes containing the words north, american, time and/or capsule:
“New York is a meeting place for every race in the world, but the Chinese, Armenians, Russians, and Germans remain foreigners. So does everyone except the blacks. There is no doubt but that the blacks exercise great influence in North America, and, no matter what anyone says, they are the most delicate, spiritual element in that world.”
—Federico García Lorca (18981936)
“Evil passions and evil inclinations are much more dangerous than evil books. The sensualist will extract poison from the purest page, the modest can blush without being corrupted.”
—Colimetis, U.S. womens magazine contributor. American Ladies Magazine, pp. 145-7 (April, 1828)
“Was there a time when dancers with their fiddles
In childrens circuses could stay their troubles?”
—Dylan Thomas (19141953)
“In the capsule biography by which most of the people knew one another, I was understood to be an Air Force pilot whose family was wealthy and lived in the East, and I even added the detail that I had a broken marriage and drank to get over it.... I sometimes believed what I said and tried to take the cure in the very real sun of Desert DOr with its cactus, its mountain, and the bright green foliage of its love and its money.”
—Norman Mailer (b. 1923)